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Digital Theatre
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Image illustrating Monthly Subscription subscription

Monthly Subscription

£9.99 / monthly
  • Includes over 150 world-class theatre productions
  • Watch on your computer, TV, iOS or Android
  • High Definition quality on all devices
Image illustrating Annual Subscription subscription

Annual Subscription

£99.99 / yearly
  • Includes over 150 world-class theatre productions
  • Watch on your computer, TV, iOS or Android
  • High Definition quality on all devices
Image illustrating King Lear rental

48 Hour Rental

£7.99
  • Rent any of our shows for 48 hours
  • Watch using web, mobile or TV apps
  • Why not subscribe for an additional £2 to access our library of >150 world-class shows on demand
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Monthly Subscription

£9.99 / monthly
  • Includes over 150 world-class theatre productions
  • Watch on your computer, TV, iOS or Android
  • High Definition quality on all devices

Subscription

Access to hundreds of premium theatre productions from renowned companies and producers
Image illustrating  subscription

Annual Subscription

£99.99 / yearly
  • Includes over 150 world-class theatre productions
  • Watch on your computer, TV, iOS or Android
  • High Definition quality on all devices

Subscription

Access to hundreds of premium theatre productions from renowned companies and producers
Image illustrating  subscription

48 Hour Rental

£7.99
  • Rent any of our shows for 48 hours
  • Watch using web, mobile or TV apps
  • Why not subscribe for an additional £2 to access our library of >150 world-class shows on demand

King Lear

King Lear is considered by many to be Shakespeare’s finest tragedy. Lear, in dividing up his kingdom to his three daughters, gradually descends into madness, ultimately bringing tragedy upon all concerned. This production was captured by Digital Theatre live at London’s Almeida Theatre as part of the 2012 World Shakespeare Festival. Directed by the Almeida’s Artistic Director, Michael Attenborough, it starred the award-winning Jonathan Pryce as a Lear said to be “electrifying naturalistic” by the Independent on Sunday, “changeable as the weather, warm and gentle, shaken and ferociously raging.”"
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